The Wheel
W. B. Yeats set out the system in A Vision: twenty-eight phases of the moon, and every soul born at one of them. The phase fixes four Faculties — the Will, the Mask it reaches for, the Creative Mind it thinks with, and the Body of Fate that is done to it regardless.
The four sit at fixed positions relative to one another, so only the Will has to be found. The other three are arithmetic on a twenty-eight-phase circle: the Mask is diametrically opposite, at Will + 14; the Creative Mind is the Will reflected across the Phase 1 – Phase 15 axis, at 30 − Will; the Body of Fate faces the Creative Mind, at 16 − Will. Every number below is computed from those three lines and from nothing else.
The four Cardinal Phases — 1, 8, 15, 22 — fall on the boundaries and belong to no Quarter. Phases 1 and 15 are not incarnations at all, which leaves 26 phases a person can be born at.
The Triads
A second grouping, and not the same as the Faculty rectangles above. Excluding the four phases of crisis, each quarter is six phases, or two sets of three: the first phase of each set is a manifestation of power, the second of a code or arrangement of powers, and the third of a belief — a submission to some quality which becomes power in the next set (AV B 92–93). Eight triads over twenty-four phases; the Cardinal Phases belong to none.
The Quarters
- First Quarter
- Phases 2–7. Element Earth. Will dominates.
- Second Quarter
- Phases 9–14. Element Water. Mask dominates.
- Third Quarter
- Phases 16–21. Element Air. Creative Mind dominates.
- Fourth Quarter
- Phases 23–28. Element Fire. Body of Fate dominates.
The questions
The scene asks these sixteen and scores them on Yeats’s own two pairs of opposites: Will against Mask, the Is and the Ought — whether you act out of what you already are or toward what you mean to become — and Creative Mind against Body of Fate, the Knower and the Known — whether you understand a situation by thinking it through or by what it does to you. Half the items on each scale are worded in each direction, so agreeing with everything does not move you.
Whichever pair you answer more strongly on decides which Faculty dominates, and so which quarter you are in. The other scale places you inside it, from the phase of crisis that opens the quarter through its six phases. One Faculty is measured; Yeats’s geometry supplies the other three.
- When I picture a better version of myself, it is quite different from how I am now.
- I usually know why something upset me.
- I would rather be good at what I already do than start something I would be bad at.
- Things happen to me that I could not have predicted.
- I hold myself to a standard I have not reached yet.
- When something goes wrong I can generally trace how it happened.
- I am fairly settled about the sort of person I am.
- I often find out what I think about something only after it has happened.
- Most of what I am working on is preparation for something I have not done.
- I can explain most of my own reactions.
- When I imagine a better version of myself, it is recognisably me.
- The turns my life has taken were mostly not up to me.
- I would rather aim at something I am not good at yet than do more of what I already do well.
- I work out what a situation means before I decide what to do about it.
- I make plans that fit who I already am rather than who I would like to be.
- I learn what matters to me from what happens rather than from thinking it through.
Each is answered on five points: Strongly disagree, Disagree, Neither, Agree, Strongly agree.
The twenty-eight phases
Phase 1 — No description except complete plasticity
Not an incarnation. There is no human life at the full or at the dark, and the scene cannot place anyone here.
- Quarter
- None. A Cardinal Phase, on the boundary between quarters.
- Triad
- None. The triads divide the quarters; a Cardinal Phase is outside them.
- Tincture
- wholly primary
- Mask
- Phase 15, No description except that this is a phase of complete beauty
- Creative Mind
- Phase 1, No description except complete plasticity
- Body of Fate
- Phase 15, No description except that this is a phase of complete beauty
- Symbol
- A figure climbing a pine to take hold of the stars.
Phase 2 — Beginning of energy
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the power of the first triad — phases 2, 3, 4
- Tincture
- primary
- Mask
- Phase 16, The positive man — true: Player on Pan’s Pipes; false: Fury
- Creative Mind
- Phase 28, The Fool — true: Hope; false: Moroseness
- Body of Fate
- Phase 14, The obsessed man — None except monotony
- Symbol
- a white bird flying with entranced limp leopard in beak — bird not 1/6 of leopard in size
Phase 3 — Beginning of ambition
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the code of the first triad — phases 2, 3, 4
- Tincture
- primary
- Mask
- Phase 17, The Daimonic man — true: Innocence; false: Folly
- Creative Mind
- Phase 27, The Saint — true: Simplicity; false: Abstraction
- Body of Fate
- Phase 13, The sensuous man — Interest
- Symbol
- Eagle over sea with one foot caught in back of sea lion one foot caught by Dolphin. Eagle drags both
- Yeats names here
- Morris’s Birdalone, many pastoral types
Phase 4 — Desire for exterior world
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the belief of the first triad — phases 2, 3, 4
- Tincture
- primary
- Mask
- Phase 18, The emotional man — true: Passion; false: Will
- Creative Mind
- Phase 26, The Multiple Man, also called “The Hunchback” — true: First perception of character; false: Mutilation
- Body of Fate
- Phase 12, The forerunner — Search
- Symbol
- figure climbing pine to grasp stars
Phase 5 — Separation from innocence
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the power of the second triad — phases 5, 6, 7
- Tincture
- primary
- Mask
- Phase 19, The assertive man — true: Excess; false: Limitation
- Creative Mind
- Phase 25, The Conditional Man — true: Social intellect; false: Limitation
- Body of Fate
- Phase 11, The consumer, pyre-builder — Natural law
- Symbol
- A man forging a chain, or fastening one onto somebody else.
- Yeats names here
- Byron’s Don Juan, Byron’s Giaour
Phase 6 — Artificial individuality
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the code of the second triad — phases 5, 6, 7
- Tincture
- primary
- Mask
- Phase 20, The concrete man — true: Justice; false: Tyranny
- Creative Mind
- Phase 24, The end of ambition — true: Ideality; false: Derision
- Body of Fate
- Phase 10, The image-breaker — Humanity
- Symbol
- A man driving nails into an idol.
- Yeats names here
- Walt Whitman
Phase 7 — Assertion of Individuality
- Quarter
- First Quarter — element Earth, Will dominates
- Triad
- the belief of the second triad — phases 5, 6, 7
- Tincture
- primary
- Mask
- Phase 21, The acquisitive man — true: Altruism; false: Efficiency
- Creative Mind
- Phase 23, The Receptive Man — true: Heroic sentiment; false: Dogmatic sentimentality
- Body of Fate
- Phase 9, Belief instead of individuality — Adventure that excites the individuality
- Symbol
- A satyr, goat-legged, following its own image or mask.
- Yeats names here
- George Borrow, Alexandre Dumas, Thomas Carlyle, James Macpherson
Phase 8 — War between individuality and race
- Quarter
- None. A Cardinal Phase, on the boundary between quarters.
- Triad
- None. The triads divide the quarters; a Cardinal Phase is outside them.
- Tincture
- the crossing
- Mask
- Phase 22, Balance between ambition and contemplation — true: Courage; false: Fear
- Creative Mind
- Phase 22, Balance between ambition and contemplation — true: Versatility; false: Impotence
- Body of Fate
- Phase 8, War between individuality and race — The beginning of strength
- Symbol
- A man stretched across an abyss, his hands in the beak of a bird of prey and his feet in the mouth of a bear, with water below.
Phase 9 — Belief instead of individuality
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the power of the first triad — phases 9, 10, 11
- Tincture
- antithetical
- Mask
- Phase 23, The Receptive Man — true: Facility; false: Obscurity
- Creative Mind
- Phase 21, The acquisitive man — true: Self-dramatisation; false: Anarchy
- Body of Fate
- Phase 7, Assertion of Individuality — Enforced sensuality
- Symbol
- A leopard, with an eagle on its head plucking out its eyes.
- Placed here by others
- Wyndham Lewis
Phase 10 — The image-breaker
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the code of the first triad — phases 9, 10, 11
- Tincture
- antithetical
- Mask
- Phase 24, The end of ambition — true: Organisation; false: Inertia
- Creative Mind
- Phase 20, The concrete man — true: Domination through emotional construction; false: Reformation
- Body of Fate
- Phase 6, Artificial individuality — Enforced emotion
- Symbol
- A man whose mouth has been forced open and his tongue torn out.
- Yeats names here
- Parnell
Phase 11 — The consumer, pyre-builder
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the belief of the first triad — phases 9, 10, 11
- Tincture
- antithetical
- Mask
- Phase 25, The Conditional Man — true: Rejection; false: Moral indifference
- Creative Mind
- Phase 19, The assertive man — true: Moral iconoclasm; false: Self-assertion
- Body of Fate
- Phase 5, Separation from innocence — Enforced belief
- Symbol
- A sword cleaving a skull.
- Yeats names here
- Spinoza, Savonarola
Phase 12 — The forerunner
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the power of the second triad — phases 12, 13, 14
- Tincture
- antithetical
- Mask
- Phase 26, The Multiple Man, also called “The Hunchback” — true: Self-exaggeration; false: Self-abandonment
- Creative Mind
- Phase 18, The emotional man — true: Subjective philosophy; false: War between two forms of expression
- Body of Fate
- Phase 4, Desire for exterior world — Enforced intellectual action
- Symbol
- A sword cutting a hand in two.
- Yeats names here
- Nietzsche
Phase 13 — The sensuous man
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the code of the second triad — phases 12, 13, 14
- Tincture
- antithetical
- Mask
- Phase 27, The Saint — true: Self-expression; false: Self-absorption
- Creative Mind
- Phase 17, The Daimonic man — true: Subjective truth; false: Morbidity
- Body of Fate
- Phase 3, Beginning of ambition — Enforced love of another
- Symbol
- A man hanging over a pool.
- Yeats names here
- Baudelaire, Beardsley, Ernest Dowson
Phase 14 — The obsessed man
- Quarter
- Second Quarter — element Water, Mask dominates
- Triad
- the belief of the second triad — phases 12, 13, 14
- Tincture
- antithetical
- Mask
- Phase 28, The Fool — true: Serenity; false: Self-distrust
- Creative Mind
- Phase 16, The positive man — true: Emotional will; false: Terror
- Body of Fate
- Phase 2, Beginning of energy — Enforced love of the world
- Symbol
- A leopard in mid-spring.
Phase 15 — No description except that this is a phase of complete beauty
Not an incarnation. There is no human life at the full or at the dark, and the scene cannot place anyone here.
- Quarter
- None. A Cardinal Phase, on the boundary between quarters.
- Triad
- None. The triads divide the quarters; a Cardinal Phase is outside them.
- Tincture
- wholly antithetical
- Mask
- Phase 1, No description except complete plasticity
- Creative Mind
- Phase 15, No description except that this is a phase of complete beauty
- Body of Fate
- Phase 1, No description except complete plasticity
- Symbol
- A man holding an arrow in one hand and a stone in the other.
Phase 16 — The positive man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the power of the first triad — phases 16, 17, 18
- Tincture
- antithetical
- Mask
- Phase 2, Beginning of energy — true: Illusion; false: Delusion
- Creative Mind
- Phase 14, The obsessed man — true: Vehemence; false: Opinionated will
- Body of Fate
- Phase 28, The Fool — Enforced illusion
- Symbol
- A dark circle, and a hand.
- Yeats names here
- William Blake, Rabelais, Aretino, Paracelsus, some beautiful women
- Placed here by others
- Maud Gonne
Phase 17 — The Daimonic man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the code of the first triad — phases 16, 17, 18
- Tincture
- antithetical
- Mask
- Phase 3, Beginning of ambition — true: Simplification through intensity; false: Dispersal
- Creative Mind
- Phase 13, The sensuous man — true: Creative imagination through antithetical emotion; false: Enforced self-realization
- Body of Fate
- Phase 27, The Saint — Enforced loss
- Symbol
- A crystal arrow and a crescent.
- Yeats names here
- Dante, Shelley, Landor
- Placed here by others
- W. B. Yeats
Phase 18 — The emotional man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the belief of the first triad — phases 16, 17, 18
- Tincture
- antithetical
- Mask
- Phase 4, Desire for exterior world — true: Intensity through emotions; false: Curiosity
- Creative Mind
- Phase 12, The forerunner — true: Emotional philosophy; false: Enforced lure
- Body of Fate
- Phase 26, The Multiple Man, also called “The Hunchback” — Enforced disillusionment
- Symbol
- A two-faced figure.
- Yeats names here
- Goethe, Matthew Arnold
- Placed here by others
- George Yeats
Phase 19 — The assertive man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the power of the second triad — phases 19, 20, 21
- Tincture
- antithetical
- Mask
- Phase 5, Separation from innocence — true: Conviction; false: Domination
- Creative Mind
- Phase 11, The consumer, pyre-builder — true: Emotional intellect; false: The Unfaithful
- Body of Fate
- Phase 25, The Conditional Man — Enforced failure of action
- Symbol
- A wolf.
- Yeats names here
- Oscar Wilde, Byron, Gabriele d’Annunzio (perhaps)
- Placed here by others
- Mrs Patrick Campbell
Phase 20 — The concrete man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the code of the second triad — phases 19, 20, 21
- Tincture
- antithetical
- Mask
- Phase 6, Artificial individuality — true: Fatalism; false: Superstition
- Creative Mind
- Phase 10, The image-breaker — true: Dramatisation of Mask; false: Self-desecration
- Body of Fate
- Phase 24, The end of ambition — Enforced success of action
- Symbol
- A white bird torn in half between a wolf and a leopard.
- Yeats names here
- Shakespeare, Balzac, Napoleon
Phase 21 — The acquisitive man
- Quarter
- Third Quarter — element Air, Creative Mind dominates
- Triad
- the belief of the second triad — phases 19, 20, 21
- Tincture
- antithetical
- Mask
- Phase 7, Assertion of Individuality — true: Self-analysis; false: Self-adaptation
- Creative Mind
- Phase 9, Belief instead of individuality — true: Domination of the intellect; false: Distortion
- Body of Fate
- Phase 23, The Receptive Man — Enforced triumph of achievement
- Symbol
- A man and a statue.
- Yeats names here
- Lamarck, George Bernard Shaw, H. G. Wells, George Moore, Jacques Louis David
Phase 22 — Balance between ambition and contemplation
- Quarter
- None. A Cardinal Phase, on the boundary between quarters.
- Triad
- None. The triads divide the quarters; a Cardinal Phase is outside them.
- Tincture
- the crossing
- Mask
- Phase 8, War between individuality and race — true: Self-immolation; false: Self-assurance
- Creative Mind
- Phase 8, War between individuality and race — true: Amalgamation; false: Despair
- Body of Fate
- Phase 22, Balance between ambition and contemplation — Temptation through strength
- Symbol
- A man beating himself with a flail.
Phase 23 — The Receptive Man
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the power of the first triad — phases 23, 24, 25
- Tincture
- primary
- Mask
- Phase 9, Belief instead of individuality — true: Wisdom; false: Self-pity
- Creative Mind
- Phase 7, Assertion of Individuality — true: Creation through pity; false: Self-driven desire
- Body of Fate
- Phase 21, The acquisitive man — Success
- Symbol
- A blindfolded man balanced on the point of a pike, juggling.
- Yeats names here
- Rembrandt, Synge
Phase 24 — The end of ambition
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the code of the first triad — phases 23, 24, 25
- Tincture
- primary
- Mask
- Phase 10, The image-breaker — true: Self-reliance; false: Isolation
- Creative Mind
- Phase 6, Artificial individuality — true: Constructive emotion; false: Authority
- Body of Fate
- Phase 20, The concrete man — Objective action
- Symbol
- A woman, a cup, and a boar.
- Yeats names here
- Queen Victoria, Galsworthy, Lady Gregory
Phase 25 — The Conditional Man
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the belief of the first triad — phases 23, 24, 25
- Tincture
- primary
- Mask
- Phase 11, The consumer, pyre-builder — true: Consciousness of self; false: Self-consciousness
- Creative Mind
- Phase 5, Separation from innocence — true: Rhetoric; false: Spiritual arrogance
- Body of Fate
- Phase 19, The assertive man — Persecution
- Symbol
- A vast figure of a god, with a small human figure flickering before his face.
- Yeats names here
- Cardinal Newman, Luther, Calvin, George Herbert, George Russell (AE)
Phase 26 — The Multiple Man, also called “The Hunchback”
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the power of the second triad — phases 26, 27, 28
- Tincture
- primary
- Mask
- Phase 12, The forerunner — true: Self-realisation; false: Self-abandonment
- Creative Mind
- Phase 4, Desire for exterior world — true: Beginning of the abstract supersensual; false: Fascination of sin
- Body of Fate
- Phase 18, The emotional man — The Hunchback is his own Body of Fate
- Symbol
- A hunchback fighting his own shadow, on ground that bleeds.
Phase 27 — The Saint
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the code of the second triad — phases 26, 27, 28
- Tincture
- primary
- Mask
- Phase 13, The sensuous man — true: Renunciation; false: Emulation
- Creative Mind
- Phase 3, Beginning of ambition — true: Supersensual receptivity; false: Pride
- Body of Fate
- Phase 17, The Daimonic man — None except impersonal action
- Symbol
- A figure — the word qualifying it is illegible in the manuscript.
- Yeats names here
- Socrates, Pascal
Phase 28 — The Fool
- Quarter
- Fourth Quarter — element Fire, Body of Fate dominates
- Triad
- the belief of the second triad — phases 26, 27, 28
- Tincture
- primary
- Mask
- Phase 14, The obsessed man — true: Oblivion; false: Malignity
- Creative Mind
- Phase 2, Beginning of energy — true: Physical activity; false: Cunning
- Body of Fate
- Phase 16, The positive man — The Fool is his own Body of Fate
- Symbol
- A shrunken, faceless man whirling a rattle.
Sources
- W. B. Yeats, A Vision — the phases, the Faculties and their designations.
- Neil Mann, yeatsvision.com — the per-phase Faculty tables, the Quarters and their elements, the eight groups, and the tincture crossings. Read 2026-09-06.
- The symbols are restated from the record in the Yeats papers (YVP 3 400–01). The image is Yeats’s; the wording here is not his, and where the manuscript is illegible this page says so rather than guessing.